tag:blogger.com,1999:blog-6004727762536264612024-02-18T18:35:48.771-08:00bloviatingmusicallybaboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.comBlogger51125tag:blogger.com,1999:blog-600472776253626461.post-46819185604491474422011-12-21T09:51:00.000-08:002011-12-30T16:28:40.823-08:00VIDEODROME 2012 - Call For WorksCall for Submissions: VIDEODROME 2012 April 01 / 2012 <br />Call for Submissions:<br />VIDEODROME 2012 at The Museum of Contemporary Canadian Art<br />Deadline: April 1st 2012<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVG2XWNwSa1H8OxqebAJtG7cdqW0SRxutDlLYt-8faA5QBMaNzZhgTkrhb28Rtgc7XeZX9IlmCYqmpMfpsknJe9arbd6WzmS6MkBvrJSAt4Bw8Ax9PuqKbefAJkFsiwp_KCDQjE0MUIpB6/s1600/Picture+5.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVG2XWNwSa1H8OxqebAJtG7cdqW0SRxutDlLYt-8faA5QBMaNzZhgTkrhb28Rtgc7XeZX9IlmCYqmpMfpsknJe9arbd6WzmS6MkBvrJSAt4Bw8Ax9PuqKbefAJkFsiwp_KCDQjE0MUIpB6/s640/Picture+5.png" width="640" /></a></div><br /><br />WEBSITE: <a href="http://www.dropframevideo.com/news.html">http://www.dropframevideo.com/news.html</a><br /><br />Now accepting submissions of A/V works under 5 mins.<br /><br />VIDEODROME is Toronto's foremost event for Visual Music and A/V culture since 2004. Visual Music is video and audio composition made from video edits, simultaneously video AND music where picture matches sound, cut for cut, beat for beat, rhythmic media work where sound and image are equally dominant. See examples here: http://www.dropframevideo.com/videos.html<br /><br />Based on the Cronenberg concept, VIDEODROME is an exercise in televisionary excess and sensory overload, video screening as party and vice-versa, in the words of dropFRAMEvideo: "bridging the gaps between the sofa, the club, and the gallery."<br /><br />Works must be complete and received by April 1st by post at 193 Augusta, Toronto, ON, M5T 2L4<br />Or posted to a file-sharing service such as SENDSPACE.<br /><br />Proposals for live performances or installations will also be considered.<br />VIDEODROME is administrated by Jubal Brown, dropFRAMEvideo, and Apocalypse Tomorrow.<br /><br /><b>VIDEODROME 2012</b><br />Spring 2012, at The Museum of Contemporary Canadian Art in Toronto<br />More info on last years event here:<br /><a href="http://www.mocca.ca/exhibition/videodrome-audiovisual-overdose/">http://www.mocca.ca/exhibition/videodrome-audiovisual-overdose/</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-58267810851797091822011-12-20T04:35:00.000-08:002011-12-30T16:28:40.856-08:00SPECTRAL - CTM Festival 2012<br /><b>CTM.12 – SPECTRAL</b><br /><b><br /></b><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1n77vbREW5rl4oa4JPpQAqEP6qA6HOajxS7KmAMNGhemn3RwCEktMFSzgg187ySo-Egkss-O86tkxSF-PnnJSB0VZqcJtjPmY0GJSw3e8GX4ge6ooBILjaArH8_UmA1xMt3xnIUFVx7ak/s1600/Picture+3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="577" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1n77vbREW5rl4oa4JPpQAqEP6qA6HOajxS7KmAMNGhemn3RwCEktMFSzgg187ySo-Egkss-O86tkxSF-PnnJSB0VZqcJtjPmY0GJSw3e8GX4ge6ooBILjaArH8_UmA1xMt3xnIUFVx7ak/s640/Picture+3.png" width="640" /></a></div><b><br /></b><br /><br />"// 30 January – 5 February 2012 <br />// Various venues, Berlin <br /><br />With an extensive program of concerts, discourses and an exhibition space, CTM.12 – Festival for Adventurous Music and Related Arts is appropriating the festival theme SPECTRAL to explore the current reemergence of all things ghostly and dark in experimental music, avant-pop, and art – and to speculate about its possible causes and inherent potentials. <br /><br />The thirteenth edition of the Festival will be held from<b> 30 January to 5 February 2012</b>. As always, CTM runs parallel to and in cooperation with Berlin’s festival for art and digital culture, transmediale, which celebrates its 25th anniversary in 2012. <br /><br />In addition to a comprehensive music program at HAU, Berghain, Passionskirche, Gretchen, Kater Holzig and Horst Krzbrg, a discourse series developed in collaboration with the philosopher, psycho-historian and author Andreas L. Hofbauer will address the festival’s theme by pursuing questions concerning art, theory, and music. <br /><br />Ghosts Off the Shelf is an exhibit created by the curator, art critic, and architect Thibaut de Ruyter at the Kunstraum Kreuzberg / Bethanien, and explores the artistic use of the exponentially growing capacities of technical archives and their “inherent ghosts”. The exhibit opens on 27 January as part of Vorspiel, a comprehensive partner program within which a number of independent Berlin art, music, and media spaces will present their activities. <br /><br />transmediale and CTM will once again present exciting collaborative projects at the Haus der Kulturen der Welt. <br /><br />The full music, discourse and exhibition program will be revealed soon, meanwhile have look on the program preview."<br /><br />Source: <a href="http://www.ctm-festival.de/ctm-festival/ctm12.html">http://www.ctm-festival.de/ctm-festival/ctm12.html</a><br /><br />baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-21017215147333408512011-12-02T05:17:00.000-08:002011-12-30T16:28:40.878-08:00Jean Piché - OCÉANESJean Piché<br />OCÉANES, 2010/2011<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Nl3T-XLY7ySxb7yBgJ_onD6FndO7G9boa752B42e6jv0FsR29R-oFrxCq6dcPiEivIkBDqpds-Oma7PyJC7XByEaf1Pvs_u2eK6vuTiqomph7dP36s5fhCNIVROgGBJ4vXhX43pVzbds/s1600/Picture+6.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Nl3T-XLY7ySxb7yBgJ_onD6FndO7G9boa752B42e6jv0FsR29R-oFrxCq6dcPiEivIkBDqpds-Oma7PyJC7XByEaf1Pvs_u2eK6vuTiqomph7dP36s5fhCNIVROgGBJ4vXhX43pVzbds/s400/Picture+6.png" width="400" /></a></div><br />Exploring parallels between image and music with particle generated image and granular synthesis generated sound - incredibly beautifully composed.<br /><br />'A videomusic work by Jean Piché, 'exploring the aesthetic potential of particle based computer generated imagery. Analogous to granular sound processing, particle synthesis allows for the creation and control of complex materials using an large number of very small components. Sound and image coordination does not explicitely use synchresis as a discursive device but aims for an elevated relation based on metaphor and emotional detachment, as if contemplating a field of images from a distant perspective.'<br />source: <a href="http://vimeo.com/25933560">http://vimeo.com/25933560</a><br /><br /><b>view on vimeo</b><br /><br /><iframe allowfullscreen="" frameborder="0" height="338" mozallowfullscreen="" src="http://player.vimeo.com/video/25933560" webkitallowfullscreen="" width="600"></iframe><br /><a href="http://vimeo.com/25933560">OCÉANES</a> from <a href="http://vimeo.com/ethrop">Jean Piché</a> on <a href="http://vimeo.com/">Vimeo</a>.baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-36515342990816356502011-11-27T14:42:00.000-08:002011-12-30T16:28:40.907-08:00TIME PAINTING by AKITOSENGOKUCheck out these amazing audio visual performances with live musicians. <br />The music in this performance I think is really beautiful. Great work.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJFVfiX2A3s04H4oP72gGvSu2cbcWC8nYVOxFKLPpJas7r3HqZBHCRK-R_ToqKTsvn_MynxVfPzo258yeTjT6O4mDVws4EEOvs1aLKlNM_BIFsP-0SNhIrBlEExxZEmvOXUdM4aCEg4wgJ/s1600/Picture+3.png" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="177" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJFVfiX2A3s04H4oP72gGvSu2cbcWC8nYVOxFKLPpJas7r3HqZBHCRK-R_ToqKTsvn_MynxVfPzo258yeTjT6O4mDVws4EEOvs1aLKlNM_BIFsP-0SNhIrBlEExxZEmvOXUdM4aCEg4wgJ/s320/Picture+3.png" /></a></div><br /><b>TIME PAINTING by AKITOSENGOKU</b><br />Collaborate with Hugues Vincent, Frantz Loriot & ryotaro<br /><br />at "Velvet Moon vol.38" -music, dance & Performance night!-<br />October 19, 2011<br />UrBANGUILD, Kyoto, Japan<br /><br /><br /><iframe src="http://player.vimeo.com/video/31585256?title=0&byline=0&portrait=0&color=ffffff" width="600" height="338" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><p><a href="/31585256">Hugues Vincent, Frantz Loriot, ryotaro & AKITO SENGOKU Live at "Velvet Moon vol.38" UrBANGUILD, Kyoto</a> from <a href="/akitosengoku">AKITO SENGOKU</a> on <a href="/">Vimeo</a>.</p>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-90406122195341872182011-11-16T07:52:00.000-08:002011-12-30T16:28:40.935-08:00Electoluminescence by Sharon Phelan<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3v4y9_oN9XGgdw3wXvyt_q0imgP-N3SQhr9gSAzLGGwZnP_5QOPlplYRmg8iPH9PMTa8U-yH7kQgpnjS7tiduDCCu_Jg_VFHwzOdOu2pkq3FKW6Zz0cfh4CQoc4Z_wNgkPd9RzFAnpT1W/s1600/Picture+1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3v4y9_oN9XGgdw3wXvyt_q0imgP-N3SQhr9gSAzLGGwZnP_5QOPlplYRmg8iPH9PMTa8U-yH7kQgpnjS7tiduDCCu_Jg_VFHwzOdOu2pkq3FKW6Zz0cfh4CQoc4Z_wNgkPd9RzFAnpT1W/s320/Picture+1.png" width="320" /></a></div><br />Electroluminesence an audiovisual composition composed by Sharon Phelan in 2009 is a very hypnotic and beautiful audio visual piece with a very stylised colour scheme and motion palette. Sharon composed the music to the visuals, a kind of deep seeing and hearing. I saw this again yesterday evening in the ATRL lab, Trinity College, Dublin and it was quite stunning aurally and visually in such a great setting, with high quality projection and audio.<br /><br /><br /><iframe allowfullscreen="" frameborder="0" height="435" src="http://player.vimeo.com/video/7453484?title=0&byline=0&portrait=0" webkitallowfullscreen="" width="580"></iframe><br /><a href="http://vimeo.com/7453484">Electroluminescence</a> from <a href="http://vimeo.com/user2588583">Sharon Phelan</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br />"Audiovisual composition consisting of video feedback. <br />The music and visuals were informed by each other in an exploration of emergent forms. Slight changes to certain parameters lead to complex results."baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-26310868029693165142011-11-09T03:37:00.000-08:002011-12-30T16:28:40.957-08:0020 Hz - Semiconductor Video<span style="font-family: Verdana; font-size: x-small;">This piece is quite incredible in the patterns and sense of depth and dimension. It is really beautiful. Semiconductors film <a href="http://www.semiconductorfilms.com/root/nanowebbers/nanowebbers.htm" target="_blank">200 Nanowebbers</a> was really brilliant too, but this new work form 2011, is equally as good. Great work <a href="http://www.semiconductorfilms.com/index.html" target="_blank">semiconductor</a></span><br /><br /><span style="font-family: Verdana; font-size: x-small;"><strong>20 Hz - A Semiconductor work by Ruth Jarman and Joe Gerhardt.</strong></span><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOXtaMYn3x5lGqFbl-Flj_M7Rv2T-F3yHQxQnqv2VUmqWDkpsak1vtT44vddJ9x4o0Ne7Dt2Rqv0OyRXeLnK9oGHPLmLorZxeLrfHjsWyBdi5SQerQwV4NfzWUdUg5jE1GSUzH_LCGBXZ1/s1600/Semiconductor%25252020Hz%25252010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOXtaMYn3x5lGqFbl-Flj_M7Rv2T-F3yHQxQnqv2VUmqWDkpsak1vtT44vddJ9x4o0Ne7Dt2Rqv0OyRXeLnK9oGHPLmLorZxeLrfHjsWyBdi5SQerQwV4NfzWUdUg5jE1GSUzH_LCGBXZ1/s320/Semiconductor%25252020Hz%25252010.jpg" width="320" /></a></div><span style="font-size: x-small;"><span style="font-family: Verdana;"><span class="style23">'0</span><span class="style23">5.00 minutes / HD / 201</span></span><span class="style47"><span style="font-family: Arial;">1</span></span></span><span class="style23"><br /><span style="font-family: Verdana; font-size: x-small;">HD single channel and HD 3D single channel</span></span><span class="style47"><span style="font-family: Arial; font-size: x-small;">.</span></span><span class="style23"><br /><span style="font-family: Verdana; font-size: x-small;">A Semiconductor work by Ruth Jarman and Joe Gerhardt.<br />Audio Data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency.'</span></span><span class="style23"><span style="font-family: Verdana; font-size: x-small;">"20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception,"<br />Webpage about 20Hz: - </span></span><span style="font-family: Verdana; font-size: x-small;"><a href="http://www.semiconductorfilms.com/root/20Hz/20Hz.htm">http://www.semiconductorfilms.com/root/20Hz/20Hz.htm</a></span><br /><br /><strong>View on Vimeo</strong><br /><iframe allowfullscreen="" frameborder="0" height="225" src="http://player.vimeo.com/video/30668685?title=0&byline=0&portrait=0&color=ffffff" webkitallowfullscreen="" width="400"></iframe><br /><a href="http://vimeo.com/30668685">20 Hz</a> from <a href="http://vimeo.com/semiconductor">Semiconductor</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br /><br />baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-58847224709556625822011-11-05T02:10:00.000-07:002011-12-30T16:28:40.979-08:00Tony Brooks Towards New Multisensory Spaces and Environments<b><span class="Apple-style-span" style="font-size: large;">Four Senses Concert, 2002</span></b><br /><br />This important concert that took place in 2002 in the Dorothy Winstone Theatre, Auckland, New Zealand. The four senses concert were a collaboration between Raewyn Turner (NZ) and Tony Brooks (UK).<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtBgsSq_VjU9i4jqQI5HLIv9haMMWWaSkuDvkHJ2wVtNsPa_k5s7bm2EFuX_pQanodqk3j004m90DgUKuaCSA8lMWZ7CaHJ8HM49wAv3qxj2D3hZYNiW4hajmgDWFRZK2Y5B82NSs1Oyej/s1600/Picture+16.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtBgsSq_VjU9i4jqQI5HLIv9haMMWWaSkuDvkHJ2wVtNsPa_k5s7bm2EFuX_pQanodqk3j004m90DgUKuaCSA8lMWZ7CaHJ8HM49wAv3qxj2D3hZYNiW4hajmgDWFRZK2Y5B82NSs1Oyej/s640/Picture+16.png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">website: <a href="http://netzspannung.org/cat/servlet/CatServlet?cmd=netzkollektor&subCommand=showEntry&lang=en&entryId=74131" target="_blank">link</a></td></tr></tbody></table><br /><br />"The ‘Four Senses’ 1999, 2002 concerts were to engage and reframe perception of music and to play with subjective experiences and simulated synesthesia. Each sensory element was constructed from information relating to the other elements. The associations and correspondences of the elements made by the audience was according to their own individual and personal experiences.<br />The investigations include perception, misinterpretation, fictional translations and the sensory worlds of the blind/deaf: of hearing, of breathing in, and of visualizing music.<br /><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg2ldo_1R5VSlvXYlnvmHcvQTba6h0W4DkBbM17OOO21M1DhkiW-yyREApObh1nPHsC7K6MFoT-sYIm7BBvIYsmdMY1GheuKs0bKGP-s8jFcnAhhUVT_flxx21wxyojXKFusqN4dPmiQc6/s1600/70727JPG.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg2ldo_1R5VSlvXYlnvmHcvQTba6h0W4DkBbM17OOO21M1DhkiW-yyREApObh1nPHsC7K6MFoT-sYIm7BBvIYsmdMY1GheuKs0bKGP-s8jFcnAhhUVT_flxx21wxyojXKFusqN4dPmiQc6/s400/70727JPG.JPG" width="400" /></a></div><div><br /><div><br /></div><div>Tony Brooks utilised sensors, software and projectors to create an interactive system capturing movement from the orchestra and translating it into painting with coloured light. In this way the orchestra conductor was able to “paint” the scene through his gestures within an interactive space. Similarly orchestra members, dancers and a special signing choir for the deaf images were blended into the backdrop in real-time such that their velocity of movement affected the color of image generation and collage composition. <br />Raewyn Turner interpreted the sound to colour and smell using the correspondences that she made between sound/silence and light/dark. The translations involved intuitive drawing, charts, measurements, referral to the seasonal time of harvest of aromatic plants, and an equation which produces a selection of plants from which to choose smell pitch.</div><div><br />The performances were an improvisation and a real - time translation of sound and the gestures of making that sound, into light and colour, and multiple layers of smell. The light collage thus created was a play of interaction between live video feeds and sensors, and coloured light pre-programmed to an interpretation of sound, each affecting the other in a dynamic visual loop. "</div><div><br />Source: <a href="http://netzspannung.org/cat/servlet/CatServlet?cmd=netzkollektor&subCommand=showEntry&lang=en&entryId=74131" target="_blank">Link to more information</a> and where you can download media files</div><div><br /></div><div><b><span class="Apple-style-span" style="font-size: large;">Article</span></b></div><div><br /></div><div><a href="http://netzspannung.org/cat/servlet/CatServlet/$files/78748/Tony+Brooks+Towards+New+Multisensory+Spaces+and+Environments.doc" target="_blank">Tony Brooks Towards New Multisensory Spaces and Environments [198 KB ]</a></div><div><br /></div><div><b><span class="Apple-style-span" style="font-size: large;">Youtube Excerpt</span></b><br /><b><span class="Apple-style-span" style="font-size: large;"><br /></span></b></div><div><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/gTjvCh-XB2o" width="420"></iframe></div><div><br /></div></div>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-50069071844731844262011-10-21T12:03:00.000-07:002011-12-30T16:28:41.072-08:00Silk Chroma - Honouring Prize - Visual Music Award<b>Silk Chroma</b> a visual music piece that I created in collaboration with the Irish Composer Linda Buckley and closely worked also with Dermot Furlong and Gavin Kearney at the end of 2010 has won an honouring prize at the forthcoming Visual Music Award 2011. I am totally delighted!<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4et5eKraqXIsbxerhyphenhyphenjCqIZ_yvgI4pFsJtqwJpUH9tQKAcAt4MvUrdn4dWJe66et4KfNBm1TBIh-KGYCf-RJAV0j_UPVErZphTbpMoLPljRIGZfLLmbrFn1GYQLZIWk7vk3gfNR2xLvRM/s1600/Picture+17.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4et5eKraqXIsbxerhyphenhyphenjCqIZ_yvgI4pFsJtqwJpUH9tQKAcAt4MvUrdn4dWJe66et4KfNBm1TBIh-KGYCf-RJAV0j_UPVErZphTbpMoLPljRIGZfLLmbrFn1GYQLZIWk7vk3gfNR2xLvRM/s400/Picture+17.png" width="400" /> </a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Visit website - <a href="http://visualmusicaward.de/index.cfm?siteid=30&CFID=13232672&CFTOKEN=70aac27f8a8b291e-1DC0657C-A02C-CF50-C99D842EFAB19451&jsessionid=ec30abe413387c283fde53596310c4b3d3c5">Visual Music Award 2011</a><br /><br /><b>Visual Music Award @ Cocoon Club, Frankfurt Germany</b><br />Photographs of the event have been put up by the organisers on their facebook page.<br />Some photographs of Silk Chroma have been put on this page...what a stunning venue the Cocoon Club.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIlDFGh8e_uk_xxaOP4rQQfaIq_nGD0VWRegNDlUlBpCx5NlOd-A5qP8qNFcxhpgUZxJkAKchQTF-kFn-f1E3-xiQJr0QTOUqVZmRkdxZ8U0Co4fHw3isLZAv6FGKohyphenhyphen4zcvhAHU0Nw5SK/s1600/silkchroma.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIlDFGh8e_uk_xxaOP4rQQfaIq_nGD0VWRegNDlUlBpCx5NlOd-A5qP8qNFcxhpgUZxJkAKchQTF-kFn-f1E3-xiQJr0QTOUqVZmRkdxZ8U0Co4fHw3isLZAv6FGKohyphenhyphen4zcvhAHU0Nw5SK/s320/silkchroma.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigsckLz_d1CkNg61BF61iGrYOEidaUDj8VuQNFh5eIu2yfznVhKa_iUQQ4FbYxvM52_ANR5KEkeSuraHndlw17ixj9Vm4b3xh2GMGmWFRqmkBuQPtj2k2FNl1142DyIrZY542B5xf7qAbg/s1600/silkchroma2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigsckLz_d1CkNg61BF61iGrYOEidaUDj8VuQNFh5eIu2yfznVhKa_iUQQ4FbYxvM52_ANR5KEkeSuraHndlw17ixj9Vm4b3xh2GMGmWFRqmkBuQPtj2k2FNl1142DyIrZY542B5xf7qAbg/s320/silkchroma2.jpg" width="320" /></a></div><br />Visual Music Award Facebook Page - <a href="https://www.facebook.com/VisualMusicAward">https://www.facebook.com/VisualMusicAward</a><br /><br /><b>Silk Chroma can be seen on vimeo</b><br /><br /><iframe allowfullscreen="" frameborder="0" height="375" src="http://player.vimeo.com/video/28545002?title=0&byline=0&portrait=0&color=ff9933" webkitallowfullscreen="" width="500"></iframe><br /><a href="http://vimeo.com/28545002">Silk Chroma</a> from <a href="http://vimeo.com/silkchroma">Silk Chroma</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br />Silk Chroma - the silent version is also showing at the Expanded Abstraction Exhibition, LACMA Museum's Stark Bar, Los Angeles as part of a curated show by the Center for Visual Music, this exhibition will continue until late January 2012 <a href="http://www.centerforvisualmusic.org/Events.htm">http://www.centerforvisualmusic.org/Events.htm</a><br />Silk Chroma is also being shown at the forthcoming Seeing Sound Symposium at Bath Spa University, Bath Spa, UK <a href="http://www.seeingsound.co.uk/">http://www.seeingsound.co.uk/</a><br />This weekend (22nd October 2011) Silk Chroma is starting the Sonic Pop Up concert as part of Dublin Contemporary. <a href="http://www.dublincontemporary.com/home/news/events_this_week1">http://www.dublincontemporary.com/home/news/events_this_week1</a><br /><br /><br /><br /><br />baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-92179062993824665952011-10-12T00:48:00.000-07:002011-12-30T16:28:41.096-08:00FOLDS video installation - Robert Seidal<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG6x46umvPRZhdZzuzj6y6L8Xlh7kFA_kwQi-ACqBi73a0n6FEhBUqWJi55x6lGRkG1XAov9iG7MKX9__RejitHcA4dAeasuWjEzPflzfabIoJH4Qws-RyI_d3CNJ8ohty3haGR8rkZuFP/s1600/folds_lindenau-museum_robert-seidel_panorama.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG6x46umvPRZhdZzuzj6y6L8Xlh7kFA_kwQi-ACqBi73a0n6FEhBUqWJi55x6lGRkG1XAov9iG7MKX9__RejitHcA4dAeasuWjEzPflzfabIoJH4Qws-RyI_d3CNJ8ohty3haGR8rkZuFP/s400/folds_lindenau-museum_robert-seidel_panorama.jpg" width="400" /></a></div><span class="Apple-style-span" style="font-size: large;"><span style="font-size: large;"><span style="font-family: Calibri, Verdana, Helvetica, Arial;"><span style="font-size: 18pt;"><b><i>FOLDS<br /></i></b></span></span></span><span style="font-family: Calibri, Verdana, Helvetica, Arial;"><span style="font-size: 11pt;">Robert Seidel<br />Lindenau Museum, Altenburg / Germany<br />18.6.ˆ14.8.2011</span></span></span><br /><span class="Apple-style-span" style="font-size: large;"><span style="font-family: Calibri, Verdana, Helvetica, Arial;"><span style="font-size: 11pt;"><br /></span></span></span><br /><span class="Apple-style-span" style="font-size: large;"><span style="font-family: Calibri, Verdana, Helvetica, Arial;"><span style="font-size: 11pt;"><i>FOLDS</i> is a 2-channel video installation with projections on 19th century plaster casts of Kladeos, Kephissos,<br />Belvedere Torso, Seer and the Three Goddesses from the <i>Bernhard August von Lindenau Collection</i>.<br />It connects to the fragmentary plaster casts, makes them flow with bygone colors, clothes them and wakes<br />them for a moment then to be stored as into the sediment of oblivion.<br /><br /><b><i>Documentation of the installation<br /></i>Vimeo</b> // <span style="color: blue;"><u><a href="http://www.vimeo.com/robertseidel/folds">http://www.vimeo.com/robertseidel/folds</a></u></span> <span style="color: #ff0080;"><br /></span>Youtube // <span style="color: blue;"><u><a href="http://www.youtube.com/watch?v=Pmg3L0ai5Uo">http://www.youtube.com/watch?v=Pmg3L0ai5Uo</a></u></span><span style="color: #ff0080;"> </span><span style="color: #ff0080;"><br /></span>Web // <span style="color: blue;"><u><a href="http://www.robertseidel.com/folds.225.0.html">http://www.robertseidel.com/folds.225.0.html</a></u></span><br />Catalog // <span style="color: blue;"><u><a href="http://www.lindenau-museum.de/index.php?id=96">http://www.lindenau-museum.de/index.php?id=96</a></u></span><br />PR // <span style="color: blue;"><u><a href="http://robertseidel.com/folds_lindenau-museum_robert-seidel.pdf">http://robertseidel.com/folds_lindenau-museum_robert-seidel.pdf</a></u></span> </span></span></span><br /><span class="Apple-style-span" style="font-size: large;"><span style="font-family: Calibri, Verdana, Helvetica, Arial;"><span style="font-size: 11pt;"><br /></span><span style="font-size: x-small;"><span style="font-size: 10pt;"><i><br /></i> </span></span><span style="font-size: 11pt;"><b>Websites</b>:<br /></span><span style="font-size: x-small;"><span style="font-size: 10pt;"><br /></span></span><span style="font-size: 11pt;">Studio Robert Seidel<br /><span style="color: blue;"><u><a href="http://www.robertseidel.com/">http://www.robertseidel.com</a></u></span> <br />Robert Seidel Vimeo Channel<br /><span style="color: blue;"><u><a href="http://www.vimeo.com/robertseidel/folds">http://www.vimeo.com/robertseidel/folds</a></u></span><br /><br /><b> View Folds Documentation on Vimeo</b><br /><iframe src="http://player.vimeo.com/video/30310763?title=0&byline=0&portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe><p><a href="http://vimeo.com/30310763">folds | installation documentation | lindenau museum altenburg, germany | robert seidel | 2011</a> from <a href="http://vimeo.com/robertseidel">Robert Seidel</a> on <a href="http://vimeo.com">Vimeo</a>.</p><span class="Apple-style-span" style="font-size: large;"> </span>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-42329332988770679442011-09-26T04:07:00.001-07:002011-09-26T04:07:16.343-07:00bloviatingmusicallybloviatingmusicallyUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-26567789226148686602011-09-02T04:54:00.000-07:002011-12-30T16:28:41.187-08:00Yan Breuleux - Experimental Animation Video - Immersion<b>Yan Breuleux</b>'s beautiful works are really worth checking out. Based in Montreal, both teaching in the faculty of Music at the University of Montreal and completing a Phd, he has accumulated a large portfolio of works that are documented clearly on his website.<br />Website: <a href="http://www.ybx.ca/">http://www.ybx.ca/</a><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicj97toDPQODVwYvrVdq7gdxNymPgXTG6ijEQWOvshZabcv-db10Z9E0qprT7qA1jNOCuNXeeFe-6aXNMC2AB9N8RUwCxqVQRiLH1GGFHkmtnaD36IAZcP_D8wuVbdFiYZWpSPHOmySmUB/s1600/Picture+7.png" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="276" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicj97toDPQODVwYvrVdq7gdxNymPgXTG6ijEQWOvshZabcv-db10Z9E0qprT7qA1jNOCuNXeeFe-6aXNMC2AB9N8RUwCxqVQRiLH1GGFHkmtnaD36IAZcP_D8wuVbdFiYZWpSPHOmySmUB/s320/Picture+7.png" /></a></div><br />Yan Breuleux's animations are quite beautiful and some of their presentations and installations are quite breathtaking. He collaborates with musicians and composers and creates pieces for multi-screen, panoramic and hemispheric presentations. He is interested in the influence of architecture in audio visual performance and some of these projects are incredible in their scale and drama. An example project has been documented on flickr.<br />"En préparation de la diffusion de La Tempête pour écran vertical.<br />Une Nuit en Galilée<br />spectacles Samedi 23 Juillet à 20:00"<br />Flickr link: <a href="http://www.flickr.com/photos/yanbreuleux/sets/72157627253334252/with/5963100991/">http://www.flickr.com/photos/yanbreuleux/sets/72157627253334252/with/5963100991/</a><br /><br /><b>PURFORM</b><br /><br />Yan Breuleux also collaborates with composer Alain Thibault as the duo <b>PURFORM</b> to create Immersion Video-Music<br /><b><a href="http://www.purform.com/">http://www.purform.com/</a></b><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGRW7IxKbcuCeNYHFlDhYI9nBfWJYQsRx7Ky36VBpgplR5FjL5gNibUiRAw_-KsN7XAlHRk7iaBbW5ffB7oE63K29FZ9M9HLm6RA4IxU-TEAaB6OmbIf1lQ_X9INKZJZFpe6OaIuNq3WS1/s1600/Picture+8.png" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="271" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGRW7IxKbcuCeNYHFlDhYI9nBfWJYQsRx7Ky36VBpgplR5FjL5gNibUiRAw_-KsN7XAlHRk7iaBbW5ffB7oE63K29FZ9M9HLm6RA4IxU-TEAaB6OmbIf1lQ_X9INKZJZFpe6OaIuNq3WS1/s320/Picture+8.png" /></a></div><br /><b>Vimeo Channel</b><br /><br /><a href="http://www.vimeo.com/purform/videos">http://www.vimeo.com/purform/videos</a><br /><br />Example Project highlighted in this blog post<br /><br /><b>White Box</b><br /><br />"A/V performance for a tryptic of HD video screens and quadraphonic audio.<br />White Box is a work based on a new way of generating A/V compositions in real time and is a new piece in a cycle that began in 2003 with Black Box. This cycle metaphorically transposes, into sound and images, concepts from systems theory related to black, white and grey boxes.<br />Visuals: Yan Breuleux<br />Music: Alain Thibault<br />Captation video: Christian Pomerleau: gridspace.ca"<br />Source: http://www.vimeo.com/21591024<br /><br /><b>PREVIEW White Box</b><br /><br /><iframe src="http://player.vimeo.com/video/21591024?color=ffffff" width="580" height="326" frameborder="0"></iframe><p><a href="http://vimeo.com/21591024">WHITE BOX | PREVIEW</a> from <a href="http://vimeo.com/purform">Purform</a> on <a href="http://vimeo.com">Vimeo</a>.</p><br />baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-82895446787127533292011-08-18T03:09:00.000-07:002011-12-30T16:28:41.210-08:00Jane Cassidy - Square Ball InsallationJane Cassidy's new visual music piece - Square Ball is an installation piece and its inaugural presentation took place in Dublin, in August 2011 as part of the Glitch Festival 2011 organised by MART.<br /><br />This was a really beautiful and clever installation that really is something that needs to be seen and sensed, as an audience member one has to face the projector as the most amazing layers of imagery and patterns unfold with great connections to the music. <br /><br />Video excerpt online courtesy of Red Rua<br /><br /><iframe width="425" height="344" src="http://www.youtube.com/embed/LQKw0fL1Og8?fs=1" frameborder="0" allowFullScreen=""></iframe><br /><br />Visit Jane's Blog<br /><a href="http://janecassidy.net/">http://janecassidy.net/</a><br /><br />baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-84718701064420525462011-07-22T03:59:00.000-07:002011-12-30T16:28:41.301-08:00Christina McPhee - bird of paradise / channel threeChristina McPhee's three channel video triptych, Bird of Paradise (Christina McPhee 2011) is a stunning silent visual music work, with such visual harmony and balance - a very beautiful work. <br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaPkxRG_ZiQl-LrUrcTCWsfMQwZB_HIbhMja6cRrOIh9j_G_jYqRHNlGrV8wlxR2AfgsNSVSsdayWrXShpM12kPS2Dfbp1HrFC6f-lLaYWVUppQfExvP9XP7bYNCrP0eSCHTWfO_xDWqL0/s1600/cmcstill1-1024x576.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaPkxRG_ZiQl-LrUrcTCWsfMQwZB_HIbhMja6cRrOIh9j_G_jYqRHNlGrV8wlxR2AfgsNSVSsdayWrXShpM12kPS2Dfbp1HrFC6f-lLaYWVUppQfExvP9XP7bYNCrP0eSCHTWfO_xDWqL0/s320/cmcstill1-1024x576.jpg" width="320" /></a></div><br /><br /><b>Bird of Paradise three channels / 10 minutes / HD video /silent / 2011</b><br /><br /><iframe frameborder="0" height="326" src="http://player.vimeo.com/video/26662355?color=ffffff" width="580"></iframe><br /><a href="http://vimeo.com/26662355">bird of paradise / channel three</a> from <a href="http://vimeo.com/christinamcphee">Christina McPhee</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br />It will premiere in a program curated by the Center for Visual Music at LACMA (Los Angeles County Museum of Art), in late July. The program will screen at LACMA through January 2012. Location: Stark Bar, central plaza (new design by Renzo Piano), LACMA.<br /><br />Check out many of Christina's work on her vimeo channel (to date 39 uploaded)<br /><a href="http://vimeo.com/christinamcphee/videos">http://vimeo.com/christinamcphee/videos</a><br /><br />Christina's website:<br /><a href="http://www.christinamcphee.net/">http://www.christinamcphee.net/</a><br /><br />About Christina<br />"Christina McPhee’s visual art, media and writings consider site as landscape and language. She develops film and media works that montage remote landscape footage at high – tech energy installations, and in ecosystems where biosphere meets human intervention in ‘kairotic’ spaces. Her drawing practice moves into critical spatial practice in media arts and writing."<br />Source: <a href="http://www.christinamcphee.net/about-2/">http:/www.christinamcphee.net/about-2/</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-82923361571451116142011-07-20T23:40:00.000-07:002011-12-30T16:28:41.326-08:00Expanded Abstraction: CVM Program, Los AngelesOpening late July,2011, Los Angeles: <br /><b>Expanded Abstraction</b>: <br />A special 3-screen program from CVM featuring Scott Draves' Generation 244, plus work by Robert Seidel, Baerbel Neubauer, Christina McPhee, Maura McDonnell and Charles Dockum. Curated by Cindy Keefer. LA County Museum of Art, central plaza, Stark Bar. On view beginning July 28, evenings through January, 2012. Images courtesy Scott Draves and the Electric Sheep. PREVIEW of McPhee's Bird of Paradise video triptych. <br /><br />(re posted from CVM events page: <a href="http://www.centerforvisualmusic.org/Events.htm">http://www.centerforvisualmusic.org/Events.htm</a><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://www.centerforvisualmusic.org/Events.htm" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi42T0jiuhavEA6winzdv91R5be4AZs_SOdd2K1OV5amMNsSZieb1iuB_0oxaxPXLWKv5r9HXINMEi-Y5OGroKOkDfD5Q8pVoaZKAjBYgFPsrtdrNNzfE3aLu-dYtxNeb496y_2EYRR91Er/s640/Picture+6.png" width="640" /></a></div><br /><b>OPENING NIGHT </b>- Thursday, July 28 <br /><br />Please join CVM at LACMA at Stark Bar - Thursday, July 28 <br /><br />CVM's new *Expanded Abstraction* 3-screen program begins in LACMA's Stark <br />Bar (central plaza, next to main entrance) at 8 pm...that's the same night <br />as Marclay's THE CLOCK 24 hour screening in Bing Theatre...so please join us while taking a break from The CLOCK, as Stark Bar will be open until 2am screening the CVM program. Or come just to see abstract film/digital work curated by CVM. <br /><br />*Expanded Abstraction* features *Scott Draves*' *Generation 244* (2010), <br />plus triptych work by *Christina McPhee, Robert Seidel, Baerbel Neubauer, <br />Maura McDonnell, Charles Dockum* and more. Runs through January 2012, <br />evenings only.baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-33573931831815013252011-06-10T03:23:00.000-07:002011-12-30T16:28:41.420-08:00Fast Forward: Conversations with Machines<b>Fast Forward: Conversations with machines</b><br /><br /><b>From camera obscura to cybernetics: filmmaker Joost Rekveld outlines experimental cinema from its hidden past to a distant future.</b><br /><br />By <b>Joost Rekveld</b><br /><br />Essay<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGWcBdY37WANBpQ2jMgkzzwRJdoNKS5LJ_uvc0_p5R4jQvxOxcg29IW5gNCxT0FakdWZKKWoViBAhyymqWsY7P55nmwC8we2gDX03ZM_owAbiu8jPF4oFdMJPU3-HYaer5KLMQ93gWClBB/s1600/Picture+5.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="105" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGWcBdY37WANBpQ2jMgkzzwRJdoNKS5LJ_uvc0_p5R4jQvxOxcg29IW5gNCxT0FakdWZKKWoViBAhyymqWsY7P55nmwC8we2gDX03ZM_owAbiu8jPF4oFdMJPU3-HYaer5KLMQ93gWClBB/s320/Picture+5.png" width="320" /></a></div><br /><br />Quote from essay<br />"In this essay I want to develop my thoughts about possible futures for what is now referred to as experimental cinema, inspired by some of the ideas behind expanded cinema. Experimental cinema is a marginal cinema, not in the sense that its purpose is to remain obscure forever, but in the sense that those filmmakers are called experimental who challenge the categories of mainstream cinema. These same artists often cross over from or into other disciplines, so in order not to lose ourselves in speculations concerning the future of everything, we will have to rewind until we find a starting point from which we can can try and extrapolate. "<br /><br />View online at:<br /><a href="http://preview.instantcinema.org/essays/852/Fast-Forward-Conversations-with-machines">http://preview.instantcinema.org/essays/852/Fast-Forward-Conversations-with-machines</a><br /><br />Joost Rekveld website: <a href="http://www.lumen.nu/rekveld/wp/index.php">http://www.lumen.nu/rekveld/wp/index.php</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-88720798837830407412011-06-08T00:09:00.000-07:002011-12-30T16:28:41.512-08:00RUSSIAN PIONEERS OF SOUND ART AND MUSICAL TECHNOLOGY IN 1910-1930<b>GENERATION Z<br />RUSSIAN PIONEERS OF SOUND ART AND MUSICAL TECHNOLOGY IN 1910-1930</b><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://www.osaarchivum.org/index.php?option=com_content&view=article&id=2122%3Ageneration-z&catid=56%3Acat-current-news&Itemid=400&lang=en" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="531" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-nAFGwOrJ6XdyqbIbYPyPuUEccZSeduYwnmmO7i_Hh8Y2MGLBtR91gxTZjQEy4WscPctVWEelhALZAlml1mU2pkVz-EBmUP2WBNTTzXXxZdAIMToXf8b_4Z6UmmgTXBBe9AkKQJ7akMF9/s640/Picture+2.png" width="640" /></a></div><br /><b>June 9 - July 20, 2011</b><br /><br />OSA Archivum and the authors of GENERATION Z exhibition cordially invite you to the opening which will take place on 9th of June at 6:00 p.m. The exhibition will run at OSA Archivum, Budapest from June 9 till July 20, 2011. <br /><br />ADDRESS: 1051 BUDAPEST, ARANY J. U. 32. <br /><a href="http://www.osaarchivum.org/">http://www.osaarchivum.org/</a><br />exhibition details at <a href="http://bit.ly/lSXejp">http://bit.ly/lSXejp</a><br /><br />Variophone, theremin terpsitone, rhythmicon, emiriton, ekvodin, graphical sound – just to mention a few of the amazing innovations of the beginning of the 20th century in Soviet Russia, a country and time turbulent with revolutions, wars and totalitarian dictatorship. <br />While the history of Russian post-revolutionary avant-garde art and music is fairly well documented, the inventions and discoveries, names and fates of researchers of sound, creators of musical machines and noise orchestras, founders of new musical technologies have been largely forgotten except, perhaps, Leon Theremin, inventor of the first electronic musical instrument, the theremin.<br /><br />This community of creators, however, was inherently incompatible with the totalitarian state. By the late 1930s it became effectively written out of histories, wiped out from text books. <br /><br />Many of their ideas and inventions, considered as utopian at that time, were decades later rein vented abroad. We still use them today not knowing their origin.<br /><br />This exhibition is an attempt at reconstructing and understanding the Russian artistic utopia.<br /><br />The exhibition runs from June 9 till July 20.<br /><br />June 24, 2011, on the Night of Museums, 10:00 p.m.:<br /><br />Multimedia theremin concert: Najmányi László, visual artist, performer, theremin specialist.<br /><br />Thanks to CVM for original post: <a href="http://www.centerforvisualmusic.org/">http://www.centerforvisualmusic.org/</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-43105465344710499492011-06-07T01:56:00.000-07:002011-12-30T16:28:41.603-08:00Oskar Fischinger Painting Exhibition - Santa Fe, New MexicoOskar Fischinger (1900-1967) Major Painting Exhibition at the Peyton Wright Gallery - Santa Fe, New Mexico<br />Opening July 2011<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://www.peytonwright.com/art/main.php?g2_itemId=9200" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="45" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjSdmTrfUGg4jXIFWL3of87FmnaEB4n2TPfnKP5BgL2okGnT_r2SFB6lyON3FjpSVJhtrzUJpKjuki2Jv6Tq1VAiIQ1HVJgLC_ZUmeXLlP5hEOHtXWlJKqlRO2TL780NXhsYAiXn4BfP-Y/s400/Picture+10.png" width="400" /></a></div><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="http://www.peytonwright.com/art/main.php?g2_itemId=9560" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUsmKgoZLm2iqO2DRWkmVLqh6kBNfIiZaTelhYOoTkhpq6spQwX2ZG9G9rM4VjJlRnNuRT3eXjy9RiVGz9quFVi6hQjk_g20-7LO8M_I5MtGEpRScQr36ZG9H0wKQ4ODeF-yJyaBJ0g9U/s200/Picture+9.png" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Oskar Fischinger - Layers of Sound</td></tr></tbody></table>Oskar Fischinger's paintings are being exhibited at the art dealers gallery - Peyton Wright Gallery. These paintings are a real treat to view. Peyton Wright Gallery have put many of Oskar Fischinger's paintings online, many of these have probably not been seen before, as they have not been put online before.<br /><br />Some of these paintings have strong musical themes. There are several that I really like and a beautiful one for me is, Layers of Sound. However, there are many others and Fischinger's very distinct artistic and aesthetic style is really apparent. A great treat to be able to view these paintings online via the Peyton Wright Gallery, and if you are lucky enough to be near Sante Fe, a treat to see in reality.<br /><br /><span style="font-size: large;">View Paintings online at:</span><br /><a href="http://www.peytonwright.com/art/main.php?g2_itemId=9200%20">http://www.peytonwright.com/art/main.php?g2_itemId=9200 </a> <br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://www.peytonwright.com/art/main.php?g2_itemId=9200" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_dML4OankfO3J8egpN-oVQdGYEUq6UGkdAP1WsotSp7rrretWB2yb9yY3fOJ7lGEHHzoUAAKdRV_97XdzIcpDSaivDDVmGT2JbMFdNvLaoFGhfzCkmgpenAGLEK_-qONiD1st72xDmRwf/s320/Picture+11.png" width="320" /></a></div>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-79337777722327141592011-05-25T23:01:00.000-07:002011-12-30T16:28:41.689-08:00'Raumlichtmusik' - Early 20th Century Abstract Cinema Immersive Environments.<b>"'Raumlichtmusik' - Early 20th Century Abstract Cinema Immersive Environments."</b> <br />Essay by Cindy Keefer (Director <a href="http://www.centerforvisualmusic.org/">Center for Visual Music</a>)<br /><br />"Leonardo Electronic Almanac, Creative Data Special Issue. Leonardo: The International Society for the Arts, Sciences, and Technology, and MIT Press. October 2009."<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://www.leonardo.info/LEA/CreativeData/CD_Keefer.pdf" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrOAgvoUyuaedO_b-lWmwqF9eQ_jZpRuPK589DsBindhyEGu7dWQuB1ySUt-K0EYMzIo2xeHdiklFxC6eahV3hkQ1z3q-1qt0k-oigSblY3r_isLdVIwwU-KBTqJhkB5VCyfITNml8IEoc/s400/Picture+3.png" width="400" /></a></div><br />This is an important historical visual music essay on Oskar Fischinger and Jordan Belson's early experiments in creating abstract cinema for immersive projection environments. It traces the origins in their work of what is more common today - the immersive multimedia environment. Information about plans Fischinger had to present a multimedia performance for the Farblichtmusik shows (started by László) has been researched and documented in this essay and is very exciting information to check out for the scholar interested in accurately tracing the origins of visual music and in particular, its links to contemporary multimedia performance. The vortex concerts, are discussed in detail. These concerts are important to check out for both historical visual music but also in relation to tracing the origins of using projected visuals alongside electronic music, which is so common today, in relation to video projection with electroacoustic music. This article traces these connections and provides an introduction to its history. Do go and read.<br /><br /><b>Abstract</b><br /><br />"Filmmakers Oskar Fischinger and Jordan Belson created cinematic multimedia experiments from 1926 to 1959; three of these events are predecessors to immersive environments: (A) Beginning in 1926, Fischinger's multiple projector shows combining abstract films, colored light projections, and painted slides; (B) Fischinger's 1944 (unrealized) concept for a dome theatre with center film projectors filling the sphere, creating "endless space without perspective" and (c) Belson and Henry Jacobs’ 1950s Vortex Concerts at Morrison Planetarium, utilizing multiple projectors and 38 speakers, with<br />“no separation of audience and stage or screen; the entire domed area becomes a living theater of sound and light."<br /><br /><b>Article can be read online at:</b><br /><a href="http://www.leonardo.info/LEA/CreativeData/CD_Keefer.pdf">http://www.leonardo.info/LEA/CreativeData/CD_Keefer.pdf</a><br /><br />Visit CVM Library Page for more resources in relation to visual music.<br /><a href="http://www.centerforvisualmusic.org/Library.html">http://www.centerforvisualmusic.org/Library.html</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-61649726846699640592011-05-24T02:12:00.000-07:002011-12-30T16:28:41.716-08:00Andrew Hill - FluxI have been coming across Andrew Hill's name in relation to visual music quite frequently recently. An up and coming artist and researcher in the audio-visual artwork genre. Flux is quite beautiful in its sound and image relationships - ordered, synaesthetic, gorgeous. <br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWnkWFwCQWrsZf-Klpw4qGcbXh2UucIqv1hp-dgiNaxYToXKhP6RP5H1z8W6BSnznAVWDJNgq4g1_qIEH3RbsxIG1o_1rB0Bgl-Yb5kty7q7r7e29NM18NR3ffVTrw4LsUmW9QVrKxazKX/s1600/128652871_200.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWnkWFwCQWrsZf-Klpw4qGcbXh2UucIqv1hp-dgiNaxYToXKhP6RP5H1z8W6BSnznAVWDJNgq4g1_qIEH3RbsxIG1o_1rB0Bgl-Yb5kty7q7r7e29NM18NR3ffVTrw4LsUmW9QVrKxazKX/s200/128652871_200.jpg" width="200" /></a></div><b>More info on Andrew Hill</b><br /><br />"Andrew Hill is a composer from the UK. He studied electroacoustic music and music technology at Keele and De Montfort Universities electing to focus his studies upon audio-visual composition. He is currently conducting PhD research investigating audience reception of electroacoustic audio-visual artworks with Leigh Landy and Bret Battey at De Montfort University."<br />Source: <a href="http://vimeo.com/andrewhill">http://vimeo.com/andrewhill</a><br /><br /><b>Flux</b><br /><br /><iframe frameborder="0" height="360" src="http://player.vimeo.com/video/20174827?portrait=0" width="480"></iframe><br /><a href="http://vimeo.com/20174827">Flux</a> from <a href="http://vimeo.com/andrewhill">Andrew Hill</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br />"An audiovisual piece inspired by cyclic patterns, exploring sound and image relationships."<br />Source: <a href="http://vimeo.com/20174827">http://vimeo.com/20174827</a><br /><br />See also: <a href="http://visualmusic.ning.com/profile/AndrewHill">http://visualmusic.ning.com/profile/AndrewHill</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-45818055734512753372011-05-20T05:55:00.000-07:002011-12-30T16:28:41.817-08:00Understanding Visual Music 2011 - Conference - Call for Works<b>Call for works</b><br /><br />Understanding VISUAL Music 2011<br /><br />Hexagram-Concordia Centre for Research-Creation in Media Arts and Technologies<br />in collaboration with the Department of Music<br />CONCORDIA UNIVERSITY<br />Montreal - Canada<br />August 26th and 27th, 2011<br /><b>Website for more information:</b> <a href="http://uvm2011.hexagram.ca/index.html">http://uvm2011.hexagram.ca/index.html</a><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://uvm2011.hexagram.ca/call.html" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="298" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8futdHpnaAFziBIMnV9WEthuBkDk4ZAOYjgRmUAhBXPcxQrg1WFNnnoAjww1lODfDscMnIkwnDLeZcv3MEgQx00DaxP6w-1lJJ-ElS3Ur_IuONSxCzfHfhHWvILM42ojs5ztygCHV7H7V/s320/Picture+9.png" /></a></div><br /><b>INFORMATION ABOUT CALL FOR WORK AND SUBMISSIONS</b><br /><br /><b>CALL FOR PAPERS AND CREATIVE WORKS</b><br /><br /><b>*_DESCRIPTION_*</b><br /><br />A two-day conference focused on developing an understanding of the <br />practice of visual music, its definition, related creative and <br />perceptual considerations, current trends, technological innovation, and <br />possible future directions.<br /><br />The event will take place on *Friday the 26th and Saturday the 27th of <br />August 2011* and will include paper sessions, roundtable discussions, <br />and creative works presentations.<br /><br />We are inviting researchers to present studies that address visual <br />music's multiple definitions and dimensions, questions around visual <br />music aesthetics and meaning, hierarchy and correlation of sound and <br />image in this context, and the audience's perception thereof. Artists <br />are also invited to propose visual music presentations -- both live and <br />fixed. Attendance is required in both cases.<br /><br /><b>*_SUBMISSION PROCEDURES_*</b><br /><br />*Paper presentation*: please use the *online submission engine *at <br />http://uvm2011.hexagram.ca/ to send: [1] an *abstract* (250 words or <br />less)**and [2] a *short biography *ready for printing (250 words or <br />less). Additionally send [3] *a 3-page CV as a PDF file *to <br />uvm2011.concordia@gmail.com <mailto:uvm2011.concordia@gmail.com>.<br /><br />*Visual music presentation*: please use the *online submission engine <br />*at http://uvm2011.hexagram.ca/ to send: [1] the title of your *piece, <br />duration*, indication whether the presentation will be *live or fixed*, <br />[2] a *short description* of the proposed piece (250 words or less), [3] <br />a *short biography *ready for printing (250 words or less), and [4] <br />*detailed technical needs*. Also include [5] *links to audiovisual <br />sample material* hosted in a *non-expiring URL* (for this reason, please <br />do not send your audio-visual material using /yousendit/ or any similar <br />applications, and do NOT send your audio-visual material by email) and <br />[6] send a *3-page CV as a PDF file* to uvm2011.concordia@gmail.com <br /><mailto:uvm2011.concordia@gmail.com>.<br /><b><br />*_SESSION FORMATS_*</b><br /><br />*Paper presentations*: each paper will be presented in person by the <br />author for approx. 20 minutes followed by 5-10 minutes of discussion.<br /><br />*Visual music presentations*: creative works presentations will take <br />place in a visual music show that will conclude the colloquium and <br />between paper sessions throughout the day.<br /><br />*Roundtable discussion[s]*: an hour-long open discussion on key issues <br />related to the main theme of the colloquium.<br /><br /><b>*_DATES_*</b><br /><br />- *Deadline *for reception of proposals: *June 18th, 2011*<br /><br />- *Notification* of acceptance: *June 30th, 2011*<br /><br />- *Confirmation of attendance* by artist/researchers: *July 20th, 2011*<br /><br />- *Colloquium* UVM2011: *August 26th-27th, 2011*<br /><br />*_UVM-2011 ORGANIZERS _*<br /><br />Ricardo Dal Farra (co-director)<br /><br />Eldad Tsabary (co-director)<br /><br />Luigi Allemano (collaborator)<br /><br /><b>*_CONTACT, INFORMATION and ABSTRACTS:_*</b><br /><br />Email: <a href="mailto:uvm2011.concordia@gmail.com">uvm2011.concordia@gmail.com</a> <br /><br /><b>UVM2011 website: <a href="http://uvm2011.hexagram.ca/">http://uvm2011.hexagram.ca/</a></b><br /><br />*Understanding**V**I**S**U**AL Music 2011*baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-62115676135967690602011-05-17T22:56:00.000-07:002011-12-30T16:28:41.918-08:00Radio Dada by Rosa MenkmanRosa Menkman's work is beautiful in how it works with glitch and artifact images in her video work.<br /><br />"Every technology possess its own inherent accidents. ЯOSΛ MEИKMΛN is a Dutch visualist who focuses on visual artifacts created by accidents in digital media. The visuals she makes are the result of glitches, compressions, feedback and other forms of noise. Although many people perceive these accidents as negative experiences, Rosa emphasizes their positive consequences."<br />Source of quote: <a href="http://aboutrosamenkman.blogspot.com/">http://aboutrosamenkman.blogspot.com/</a><br /><b><br />Radio Dada by Rosa Menkman</b><br />Video: Rosa Menkman<br />Music: Extraboy<br /><br /><iframe frameborder="0" height="326" src="http://player.vimeo.com/video/2321833?title=0&byline=0&portrait=0" width="580"></iframe><br /><a href="http://vimeo.com/2321833">Radio Dada</a> from <a href="http://vimeo.com/r00s">Rosa Menkman</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br />"The video-images are constructed out of nothing but the image created by feedback (I turned a high-end camera on a screen that was showing, in real time, what I was filming, creating a feedback loop). Then I glitched the video by changing its format and subsequently exporting it into animated gifs. I (minimalistically) edited the video in Quicktime. Then I sent the file to Extraboy, who composed music for the video. The composing process started with a hand held world radio. Extraboy scanned through frequencies and experimented with holding the radio in different parts of the room while touching different objects. Eventually he got the radio to oscillate noise in the tempo that he perceived in the video. The added synthesizer sounds were played live to further build on the non-digital sound and rhythm. This was later contrasted with drums which were digitally synthesized and processed through effects with a very digital sound to them. Just like with the video, the digital and analogue media and aesthetics of sound are mixed into one coherent whole."<br />Source: http://vimeo.com/2321833<br /><br />Rosa's website is a homage to her aesthetic - wow! (with audio too and flickering favicon)<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://aboutrosamenkman.blogspot.com/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNrst-U0MmTQ5e_Fa-JcbYgNXp8u-4sYEZtsodnFeX1XVC2jIwJbcfLSFvbGsu0hBcGux4g_QjAle1IC61Nb_DGnzLCuBIjP2nd23jJxUoqlaIGPaT5Tr2b9x-5PFLkMRNIpDV493mcUgV/s320/Picture+2.png" width="320" /></a></div><br />Website: <a href="http://rosa-menkman.blogspot.com/">http://rosa-menkman.blogspot.com/</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-17867324597974149032011-05-12T07:53:00.000-07:002011-12-30T16:28:42.016-08:00CCRMA Stage - Light Dreams: Visual Music by Vibeke Sorensen<b>Light Dreams: Visual Music by Vibeke Sorensen </b><br /><br />Date: Mon, 05/16/2011 - 8:00pm - 9:45pm<br />Location: CCRMA Stage, The Knoll, Stanford University, USA<br />Event Type: Concert<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://ccrma.stanford.edu/events/light-dreams-visual-music-vibeke-sorensen" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="213" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy5lAuf61upc5iH3jnUN-wXGJmkvrDDIRoWW5BfxG35ucnetVyZhfu6aQ6rLPAfvpBqjLmPRAFWJRV17g7eis1Dvt4TMFSgze3gHOpWxZDxDNMk_KyGIK7DH7xeNpl_qDj_2Bkj8iUkaEX/s320/Picture+8.png" /></a></div><br />"a retrospective of works by the renowned visual music artist and scholar Vibeke Sorensen. The concert will include a world premiere of Green Space, a new work in stereoscopic 3D."<br /><br />Website with more information: <br /><a href="https://ccrma.stanford.edu/events/light-dreams-visual-music-vibeke-sorensen">https://ccrma.stanford.edu/events/light-dreams-visual-music-vibeke-sorensen</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-30431732159403851192011-05-11T12:50:00.000-07:002011-12-30T16:28:42.109-08:00Call for Works - MuVi3. International exhibition of video and moving image on synesthesia and visual music"<b>MuVi3. International exhibition of video and moving image on synesthesia<br />and visual music</b>"<br />Palacio de los Condes de Gabia (Granada, Spain) and Almeria University<br /><b>16 th -19 th of February 2012</b><br /><br />MuVi3, invites artists, musicians, designers and performers, also<br />professors and university students, to submit proposals of kinetic works to<br />be part of a public exhibition, with performances and discussions.<br />The event is organized by the Foundation of Artecittà (Granada), the<br />Politecnico di Milano, the University of Granada and the University of<br />Almeria.<br /><b><br />Deadline for submissions:</b> 15 July 2011<br /><b>Fee of submission:</b> Free<br /><b>For informations:</b> <br /><a href="http://muvi-visualmusic.tumblr.com/">http://muvi-visualmusic.tumblr.com/</a><br /><br />Download of the Text and Forms of the Call in:<br />http://dl.dropbox.com/u/7288487/CallMuVi3%20%2812apr11%29.zip<br />Contact: <a href="mailto:info@sinestesie.it">info@sinestesie.it</a> and <a href="mailto:info@artecitta.es">info@artecitta.es</a><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://muvi-visualmusic.tumblr.com/" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="137" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl0WB5G2PddT6FX3JageiiGzmyiY3xZTxa7x_Obhi_pFoV5KcA7Ar_dznDMU10OkNXZQxNoLEB_RqT9hEVwtDBilbtDDUyZrX9UKDcm3dF1IAUleRCWqG-eiY8UoGdTw8krBA7-vOGCIfy/s320/Picture+1.png" /></a></div>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-84932370966878745042011-05-11T04:15:00.000-07:002011-12-30T16:28:42.206-08:00Audiovisuelle Rauminstallation fear:love by Gerrit Kress<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKWaL3AeOaizk9gH1-fp-uaUviSzN2f0QJ7l2DuYvho5wKMELeIQO-8TDbzStsNQiu1mEZxcFBy2XXVroyfOnCPLcyYIqnBeJXFIFgPxamnugm3khcoaLXXSyqo4ZSPEj_JmHA4h-3eiyf/s1600/Picture+3.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKWaL3AeOaizk9gH1-fp-uaUviSzN2f0QJ7l2DuYvho5wKMELeIQO-8TDbzStsNQiu1mEZxcFBy2XXVroyfOnCPLcyYIqnBeJXFIFgPxamnugm3khcoaLXXSyqo4ZSPEj_JmHA4h-3eiyf/s320/Picture+3.png" width="253" /></a></div><br /><br /><br />This is a very fascinating audio visual work - emulating human emotion - those of love and fear, and how wonderful this piece is. The introduction is like the audiovisual elements breathe together.... a beautiful artwork.<br /><br /><iframe frameborder="0" height="338" src="http://player.vimeo.com/video/23318809?title=0&byline=0&portrait=0&color=717171" width="600"></iframe><br /><a href="http://vimeo.com/23318809">Audiovisuelle Rauminstallation fear:love</a> from <a href="http://vimeo.com/musikundmedien">Institut Fuer Musik Und Medien</a> on <a href="http://vimeo.com/">Vimeo</a>.<br /><br />"fear: love is an audiovisual installation by Gerrit Kress, which deals with the two emotions fear and love. It shows the center of human emotion: an inner core that contains the particular emotion, grown in a system of transmitting and receiving arms that allow communication with the body and mind."[google translate from German]<br />Source: vimeo link: <a href="http://vimeo.com/23318809">http://vimeo.com/23318809</a>baboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0tag:blogger.com,1999:blog-600472776253626461.post-18371590576262807212011-05-10T23:13:00.000-07:002011-12-30T16:28:42.296-08:00CVM Lecture And Screening - At ZKM Germany - May 11, 2011<b>CVM at Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany May 11.</b><br /><br />For more information on this event, visit<br /><a href="http://on1.zkm.de/zkm/stories/storyReader$7532">http://on1.zkm.de/zkm/stories/storyReader$7532</a><br /><br />Cindy Keefer, Director of the Center for Visual Music Los Angeles, will discuss and screen work by pioneers of kinetic art and pre-digital cinema from CVM's archives... Keefer will screen work from CVM's archives including Dockum's “Mobilcolor Projections,” Bute's “Abstronics” (an early oscilloscope film), a short Bute documentary, the Fischinger “Lumigraph Film,” and more. She will discuss CVM's work with the Fischinger legacy, current preservation work, and “Raumlichtkunst,” the new restoration of his 1920s multiple-projector performances.<br /><br />Followed by the screening “Films Sacred and Profane” by Jordan Belson<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="http://on1.zkm.de/zkm/stories/storyReader$7532" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="381" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiYyTJlyKx72lXvksU5mcPK2JDW2wrXA9KEeB7vJuAeGjDnqsAPI7AAZswtai235B1BTRBH3W562uGxm03VNhcy91xttwoJTTQyMQzAaAGElri3wvWuAwtOoYaM9XSOSVLTP6gynqCgYXX/s400/Picture+6.png" width="400" /></a></div><br />Visit: <a href="http://www.centerforvisualmusic.org/Events.htm">http://www.centerforvisualmusic.org/Events.htm</a><br />for more information on Center For Visual Music and visual music related events and newsbaboldhttp://www.blogger.com/profile/09103741924821651682noreply@blogger.com0